The
Global Rock Challenge
In
1979 a local drama competition known as the Rock Eisteddfod Challenge began in
Sydney, Australia. Its message was simple; teenagers do not need drugs, alcohol
or tobacco to enjoy themselves when they can get the incredible
natural high from being in Rock Challenge instead. Now, almost
twenty five
years later, the competition has spread to schools around the globe, involving
over five hundred thousand students aged between eleven and eighteen in this
dance, drama and music extravaganza; where they relish the benefits of healthier
lifestyles and meet new
people their own age with the same passions and values as they have.
The
rules are relatively simple. Each school puts together a team of around a
hundred students and forms an eight minute piece telling a story with dance and
drama to an original soundtrack of contemporary music, crafting their own
lighting scheme, costume designs and make-up, to a background of hand made set.
And that’s it! The real thrill of Rock Challenge then comes from the ingenuity
of each school’s response to these premises in their entry.
This year was the first time my school achieved the
dizzy heights of reaching the finals, and the quality of the entries here was
astonishingly high. So
what makes a great Rock Challenge entry? To answer this question, I am going to
analyse this year’s winner, Ryde High, as well as a number of other entries from
the Southern Grand Final.
Within their eight minute slot, Ryde High were able to build a story arch
concerning the Caped Crusader, Batman of Gotham city. Their message was a
simple one; good will always triumph over evil. To begin with, their stage was
devoid of dancers, save one; our hero as his alter-ego, calmly sitting and
reading a
newspaper. The set was a skilfully lit backdrop of the city, painted onto flats
in bright, garish colours, creating that comic book effect, and giving the
audience a cheerful, feel-good feeling to start the performance. When the bat
signal went up, some slick lip-syncing followed to recorded dialogue, and the stage was
suddenly brought to life. A parade of villains followed, moving from one dance
to the next, each concentrating respectively on The Penguin, The Joker, Catwoman
and the seductress Poison Ivy. A principal dancer took the lead in each dance,
lip-syncing to a song from the seamlessly blended soundtrack, chosen for it’s
enhancement (both lyrically and atmospherically) of the character; Michael
Jackson’s “Smooth Criminal” with the Penguin piece for example. The principals
were each flanked by complimentary dancers in sumptuous costumes
made of what looked to be luxurious and expensive material, but what was sure to
have been bought on a shoe
-string budget and stitched together by willing (!)
volunteers; the epitome of Rock Challenge costume design. The performance was
rounded off
with a spectacular, entire cast finale, where
of course, our hero triumphed. As the dancers marched off, the stage was empty
once more. All that was left was Bruce Wayne with the looming vision of The
Joker, bringing this epic tale to a sinister close.
Other schools chose a different approach to Ryde High for their
entries. For example, Highcliffe Lower School and City of Portsmouth Girls
School retained the same small troop of dancers on stage the entire time; their
set was simple and their costume was uniform for all dancers throughout the
piece. They chose instead
to focus on complex and superbly delivered
choreography. Although both were distinguished performances, lack of a credible
story line meant they
became monotonous towards the end of their eight minutes, which was
disappointing.
Kings Langley School and Sir William Ramsey School focused more
on drama rather than dance to put across their serious
themes of Drink-Driving and the Plight of Refugees; their costumes were less
exotic to help emphasis the literal interpretation of their subjects, and a
backdrop of newspaper articles featured heavily in both their sets. Though it
is important to convey some sort of message or moral through your Rock Challenge
entry, the death and woe involved in these
pieces made them arduous to the point
where the message was
possibly lost, and the performance, although memorable, became less enjoyable.
I believe my school’s entry effectively balanced a serious concept of isolation
and rejection as a school child with a moving idea of hope in the end.
In
my opinion Ryde High won because their piece was a well rounded and exciting
performance. Fabulous costume, innovative hair and make-up,
dazzling dance routines, splendid set, a varied and delightful soundtrack,
dramatics for the action scenes, and, most importantly, a message that
encompasses all that it means to be in Rock Challenge; if we make the right
choices between good and evil, whether that be drugs or cartoon-crime, our lives
will be better for it.